The Other Side

By Morgan Baker 

I’m at an impasse. I’ve carved out time to write in a beautiful setting with a pond and ocean before me. Just me and my two dogs. I walk them almost every morning on the beach before towels and coolers cover the sand and people run in and out of the sea.

I walk watching the ground under my feet as we traverse the curve of the cove. Is there anything there that is going to trip me and send me flailing and falling? What I discover however, as I gaze at the ground, is that I often miss what’s in the distance—the shoreline I can walk towards, the birds protected in the sand, the dogs running in circles and jumping in and out of the water, or the other side of the creek that flows from the pond to the beach.

I find a piece of seaglass, harder and harder to find in a world of plastics, that reminds me to keep putting the words down. Don’t stop. Keep going. 

The dogs bolt up the dune to the path home, as I huff my way behind them. The puppy leaps in and out of the tall grass that looks like wheat waving in the wind. If she stops for a minute, I can’t find her. She’s hidden from view.

I return to the cottage, lay sheets on the sofa and futon to absorb the water and sand from the dogs, and open my computer. The dogs will nap. I eye them with envy. Napping is one of my joys. 

I have exactly what I’ve been waiting for and wanting—time and a new location in which to write. My own private writing retreat.

But, it’s not working. What’s wrong? I want to scream to the field of tall grass in front of me. 

I know what I want to write about. I know what I want the next project to be, but I can’t seem to connect what’s in my head to the words on the page. Like wading across a great river rushing by, I’m afraid I’ll be dragged down the rapids. It’s safer to stay on one side or the other.

Maybe I’m afraid of what’s in those rapids, of what memories are churning around in there that I need to reach in and pull out. 

I am easily distracted—text messages from my family bounce all over about scheduling meals for when they join me and the dogs. My writing time, alone, is coming to an end and I haven’t done what I planned to, but a family vacation I have been dreaming of is about to ensue. 

Sometimes writing plans get derailed, but other opportunities present. A potential client reached out to me the second week about helping him write some of his story. Didn’t see that coming.

I remind myself that I’ve read five memoirs during these two weeks. I don’t have that kind of time during the school year as I juggle my in-person classes and online workshops. 

I’ve even written several magazine assignments on this retreat. For pay, I might add.

And riding on top of all this, I must decide whether to sign with a small independent publisher for the memoir that took ten years to write, edit, stick away, edit again and now set free. 

More fear rises in my gut. I’ve wanted to write and publish my memoir for a long time, but now that it might happen, I want to hide in this cottage forever. What if it’s not good, what if no one reads it, what if I can’t finish the next one. What If?  What if?

Time, I’m reminded, is not on my side either. I’m in my mid 60s. 

So, I return to my writing. I know I have to start every essay with tenderness. I need to be kind to myself as I barf all over the page and pretend someone is holding my hair back, but the words won’t come out. Like the last toothpaste at the end of the tube, no matter how much I squeeze, the words are just not going to move. 

Writing is often about facing my fear—of stepping into that rushing water and realizing I will get to the other side. 

I don’t have to be fearless to move forward with my writing. Bravery doesn’t mean I’m not afraid, it just means I’ll keep going looking to my right and left to make sure I’m not going to trip on a rock or branch floating in the water.

I climb out of the rapids, I start to write. I bark at the fear the way my dog barks at rain and wind.  

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